Draw Your Own Manga: All the Basics

Natalie Avella

Paper Engineering: 3-D Design Techniques for a 2-D Material

"Paper Engineering" explores graphic design that extends beyond 2D. From a simple fold in a letterhead to the structural intricacies of a pop-up book, the construction of a 3D paper object requires as much input as its surface decoration. This stylish and inspirational book unfolds the conceptual complexities of paper engineering, studying the techniques of eminent international designers. Case studies are illustrated with photographs of finished work, as well as detailed diagrams and commentary. Now available in a fully revised and extended edition, "Paper Engineering" also explores the functions of paper architecture in graphic design, ranging from greeting cards to invitations and from point-of-sale to packaging.

Alwyn Crawshaw

Alwyn Crawshaw's Ultimate Painting Course: A Complete Beginner's Guide to Painting in Watercolour, Oil and Acrylic

In Alwyn Crawshaw's Ultimate Painting Course, the artist encapsulates 50 years' of painting and teaching in one volume. He begins with the basics: brushes, paints, and surfaces; choosing a medium; and the fundamentals of simple perspective, color-mixing, composition, and tonal values. He then starts you off with simple three-color exercises, which are followed by a number of helpful half-hour exercises. He also shows you how to work from photos and sketches and includes a section on painting outdoors. Finally, there are more than 20 step-by-step demonstrations - in watercolor, acrylics, and oils - that feature landscapes, seascapes, and human figures. An outstanding guide for aspiring artists.

Sarah A. Meyer, John T. Drew

Color Management: A Comprehensive Guide for Graphic Designers [With CDROM]

New in Paperback! "Color Management" shows how to implement color as a practical form of problem solving. It is a consolidated resource, arming designers with an understanding of how to communicate with and manage color in all its aspects and applications; subtractive and additive; pigment, CMYK and RGB; 2-D and 3-D; still and motion. Sensitivity of pigments to light and air and the stability of inks are also detailed, as is the human factor, through issues of color legibility and the physical and psychological effects of color. In its depth and breadth, it is a unique body of information.