Romeo and Juliet

Arthur Miller

The Crucible

A haunting examination of groupthink and mass hysteria in a rural community, presented here with enlightening criticism and commentary "I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote in an introduction to The Crucible, his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller ...

Thornton Wilder

The Skin of Our Teeth

A timeless statement about human foibles . . . and human endurance, this beautiful new edition features Wilder's unpublished production notes, diary entries, and other illuminating documentary material, all of which is included in a new Afterword by Tappan Wilder. Time magazine called The Skin of Our Teeth "a sort of Hellzapoppin' with brains," as it broke from established theatrical conventions and walked off with the 1943 Pulitzer Prize for Best Drama. Combining farce, burlesque, and satire (among other styles), Thornton Wilder departs from his studied use of nostalgia and sentiment in Our Town to have an Eternal Family narrowly escape one disaster after another, from ancient times to the present. Meet George and Maggie Antrobus (married only 5,000 years); their two children, Gladys and Henry (perfect in every way ); and their maid, Sabina (the ageless vamp) as they overcome ice, flood, and war -- by the skin of their teeth.

Anton Pavlovich Chekhov

The Plays of Anton Chekhov

These critically hailed translations of The Seagull, Uncle Vanya, The Three Sisters and the other Chekhov plays are the only ones in English by a Russian-language scholar who is also a veteran Chekhovian actor. Without compromising the spirit of the text, Paul Schmidt accurately translates Chekhov's entire theatrical canon, rescuing the humor "lost" in most academic translations while respecting the historical context and original social climate. Schmidt's translations of Chekhov have been successfully staged all over the U.S. by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.