Descriere: On a winter night in 1964, Dr. David Henry is forced by a blizzard to deliver his own twins. His son, born first, is perfectly healthy. Yet when his daughter is born, he sees immediately that she has Down's Syndrome. Rationalizing it as a need to protect Norah, his wife, he makes a split-second decision that will alter all of their lives forever. He asks his nurse to take the baby away to an institution and never to reveal the secret.But Caroline, the nurse, cannot leave the infant. Instead, she disappears into another city to raise the child herself. So begins this beautifully told story that unfolds over a quarter of a century in which these two families, ignorant of each other, are yet bound by the fateful decision made that long-ago winter night.A brilliantly crafted, stunning debut, The Memory Keeper's Daughter explores the way life takes unexpected turns, and how the mysterious ties that hold a family together help us survive the heartache that occurs when long-buried secrets burst into the open.Performed by Martha Plimpton
Autori: Kim Edwards | Editura: HarperAudio | Anul aparitiei: 2005 | ISBN: 9780060825805 | Categorie: Unabridged
Douglas Johnson, Maureen Johnson
Art Models 3: Life Nude Photos for the Visual Arts
While no book can replace a live model, this photographic guide to the human form provides a diverse selection of figures for those who do not have access to live models. Posed in a variety of classical and modern modes, the models are set in a clear, clean environment that is void of distractions and enhances the figure. All of the high-resolution photographs were painstakingly edited and adjusted to yield all the nuances of the figures. The companion disc contains 24 photographs per pose that, in totality, comprises a full 360 degree view. Each angle of every pose can be enlarged, enabling artists to zoom in on specific body parts to discover their intricate detail or project the photos to life-like proportions. The disc also offers the flexibility of numerous viewing options--on a computer screen, printed out, projected for a group, or via a high-definition television when connected through a computer.
Janet Evanovich
From the #1 New York Times bestselling author comes a revised, repackaged novel sure to please her many fans. She writes "high speed comic mayhem" ( Detroit Free Press ); she's "a blast of fresh air" ( Washington Post ); "side-splitting funny" ( Publishers Weekly ) and "a winner" ( Glamour ). In other words, she's Janet Evanovich. Berry Knudson had a talent for disaster, but when she climbed a tree to rescue a kitten, she wasn't prepared for the scrumptious hunk undressing in a nearby window, or her dive downward that smashed Jake Sawyer's pizza and won his heart! But was there room in her chaotic schedule for a risk-taking inventor with dreams? She took classes, delivered pizzas, and cared for three eccentric old ladies she rescued from the train station. But Jake thrived on a challenge, and he could be very inventive. Could he teach her there was time to make butterscotch pudding and let herself be loved?
Karen Armstrong
The History of God: The 4,000 Year Quest
"Strange as it may seem, the idea of 'God' developed in a market economy in a spirit of aggressive capitalism," Karen Armstrong asserts in her fascinating work A History of God. Armstrong considers herself a "historian of ideas," and with this broad view she gives a compelling account of the correspondences among Judaism, Christianity, and Islam, and the historical, philosophical, intellectual, and social developments through the ages that both shaped them and were shaped by them. Religion is "highly pragmatic," Armstrong finds. Any particular idea of God must work for the people who develop it. Consequently, as the times have changed, so have our ideas about God. "Understanding the ever-changing ideas of God in the past and their relevance and usefulness in their time," she says, "will help us to develop a new concept for the future." Today an increasing number of people have difficulty with the idea of a God that behaves as a larger version of themselves. Armstrong sees this as inevitable, and welcomes believers to a notion of God that "works for us in the empirical age."