Carti UNIV OF CHICAGO PR

Dell Upton (Author)

Oxford History of Art

Editura: OXFORD UNIV PR

Anul aparitiei: 1998

American architecture is astonishingly varied. From Native American sites in New Mexico and Arizona, and the ancient earthworks of the Mississippi Valley, to the most fashionable contemporary buildings of Chicago and New York, the United States boasts three thousand years of architectural history. It is characterized by the diversity of its builders and consumers who include Native American men and women, African, Asian, and European immigrants, as well as renowned professional architects and urban planners. Leading historian Dell Upton's revolutionizing interpretation examines American architecture in relation to five themes: community, nature, technology, money, and art. In giving particular attention to indigenous, folk, ethnic, and popular architectures like Chaco Canyon, the Brooklyn Bridge, and Native American houses, as well as to the great monuments of traditional histories such as Jefferson's Monticello and Wright's Fallingwater, Architecture in the United States reveals the dazzling richness of America's human landscape.

Erika Doss (Author)

Oxford History of Art

Editura: OXFORD UNIV PR

Anul aparitiei: 2002

Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the "American century." Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.

Marshall W. Stearns (Author)

The Story of Jazz

Editura: OXFORD UNIV PR

Anul aparitiei: 1970

Beginning with the African musical heritage and its fusion with European forms in the New World, Marshall Stearns's history of jazz guides the reader through work songs, spirituls, ragtime, and the blues, to the birth of jazz in New Orleans and its adoption by St Louis, Chicago, Kansas City, and New York. From swing and bop to the early days of rock, this lively book introduces us to the great musicians and singers and examines jazz's cultural effects on American and the world.

Richard A. Bartlett (Author)

The New Country: A Social History of the American Frontier, 1776-1890

Editura: OXFORD UNIV PR

Anul aparitiei: 1976

From borax mule trains to the canoe stop that was Chicago in the 1830s, this book vividly recreated the tale of the westward movement of pioneers into the heartland of North America. With nearly a century separating historian Richard Bartlett from the end of the movement, Bartlett's broad perspective stresses the continuity and inevitability of this greatest element of America's Golden Age. The book focuses on the settlement of the country, the racial and ethnic composition of the people, agriculture, transportation, developments of the land, the growth of towns and cities, and the nature of frontier society as it brilliantly brings to life the frontier experience as lived by millions of Americans. Bartlett concludes that the pioneer's freedom from restrictions in a new country resulted in the unprecedented burst of energy that settled America in some 114 years.

James Lincoln Collier (Author)

Louis Armstrong: An American Genius

Editura: OXFORD UNIV PR

Anul aparitiei: 1985

Louis Armstrong. "Satchmo." To millions of fans, he was just a great entertainer. But to jazz aficionados, he was one of the most important musicians of our times--not only a key figure in the history of jazz but a formative influence on all of 20th-century popular music. Set against the backdrop of New Orleans, Chicago, and New York during the "jazz age", Collier re-creates the saga of an old-fashioned black man making it in a white world. He chronicles Armstrong's rise as a musician, his scrapes with the law, his relationships with four wives, and his frequent feuds with fellow musicians Earl Hines and Zutty Singleton. He also sheds new light on Armstrong's endless need for approval, his streak of jealousy, and perhaps most important, what some consider his betrayal of his gift as he opted for commercial success and stardom. A unique biography, knowledgeable, insightful, and packed with information, it ends with Armstrong's death in 1971 as one of the best-known figures in American entertainment.

Albro Martin (Author)

Railroads Triumphant: The Growth, Rejection, and Rebirth of a Vital American Force

Editura: OXFORD UNIV PR

Anul aparitiei: 1992

In 1789, when the First Congress met in New York City, the members traveled to the capital just as Roman senators two thousand years earlier had journeyed to Rome, by horse, at a pace of some five miles an hour. Indeed, if sea travel had improved dramatically since Caesar's time, overland travel was still so slow, painful, and expensive that most Americans lived all but rooted to the spot, with few people settling more than a hundred miles from the ocean (a mere two percent lived west of the Appalachians). America in effect was just a thin ribbon of land by the sea, and it wasn't until the coming of the steam railroad that our nation would unfurl across the vast inland territory. In Railroads Triumphant, Albro Martin provides a fascinating history of rail transportation in America, moving well beyond the "Romance of the Rails" sort of narrative to give readers a real sense of the railroad's importance to our country. The railroad, Martin argues, was "the most fundamental innovation in American material life." It could go wherever rails could be laid--and so, for the first time, farms, industries, and towns could leave natural waterways behind and locate anywhere. (As Martin points ...

Peter Levine (Author)

A.G. Spalding and the Rise of Baseball: The Promise of American Sport

Editura: OXFORD UNIV PR

Anul aparitiei: 1986

A. G. Spalding was a key figure in the professionalization and commercialization of American sports. Co-founder of baseball's National League, owner of the Chicago White Stockings (later the Cubs), and founder of a sporting goods business that made him a millionaire, Spalding not only willed baseball to be our national pastime but also contributed to making sport a significant part of American life. This biography captures the zest, flamboyance, and creativity of Albert Goodwell Spalding, a man of insatiable ego, a showman and entrepreneur, whose life illuminated the hopes and fears of 19th-century Americans. It is a vivid evocation of the vanished world of 19th-century baseball, recreating a time when it was transformed from a game played on unkempt fields to modern style.

Ethan Mordden (Author)

Broadway Babies: The People Who Made the American Musical

Editura: OXFORD UNIV PR

Anul aparitiei: 1988

Vividly recreating the unique pleasure of experiencing a song-and-dance show, Broadway Babies spotlights the men and women who made a difference in the development of American musical comedy. Mordden's account features such show people as Florenz Ziegfeld, Harold Prince, Bert Lahr, Gwen Verdon, Angela Lansbury, Victor Herbert, Liza Minnelli, and Stephen Sondheim, and such musicals as Sally , Oh Kay! , Anything Goes , Show Boat , Oklahoma! , Follies , Chicago , and countless others. While theatrical historians traditionally have emphasized the role of the authors of musicals, Mordden also examines the personal styles of the directors, choreographers, and producers, in order to demonstrate not only what the musical became but what it was . The volume includes an extensive discography--the first of its kind--which offers a virtually self-contained history of recorded show music.

Robert Morse Crunden (Author)

American Salons: Encounters with European Modernism, 1885-1917

Editura: OXFORD UNIV PR

Anul aparitiei: 1993

In American Salons, Robert Crunden provides a sweeping account of the American encounter with European Modernism up to the American entry into World War I. Crunden begins with deft portraits of the figures who were central to the birth of Modernism, including James Whistler, the eccentric expatriate American painter who became the archetypal artist in his dress and behavior, and Henry and William James, who broke new ground in the genre of the novel and in psychology, influencing an international audience in a broad range of fields. At the heart of the book are the American salons--the intimate, personal gatherings of artists and intellectuals where Modernism flourished. In Chicago, Floyd Dell and Margery Currey spread new ideas to Sherwood Anderson, Theodore Dreiser, and others. In London, Ezra Pound could be found behind everything from the cigars of W. B. Yeats to the prose of Ford Madox Hueffer. In Paris, the salons of Leo and Gertrude Stein, and Michael and Sarah Stein, gave Picasso and Matisse their first secure audiences and incomes; meanwhile, Gertrude Stein produced a new writing style that had an incalculable impact on the generation of Ernest Hemingway. Most important of ...

Thomas Bender (Editor)

The University and the City: From Medieval Origins to the Present

Editura: OXFORD UNIV PR

Anul aparitiei: 1991

This book contains an innovative and important series of studies of the complex relations of major cities associated with key moments in the history of higher learning in the West. By exploring the interplay of university learning and civic culture over the centuries, Bender provides a novel perspective on the history of both universities and cities. The theme is pursued in studies of Bologna, Paris, Florence, Leiden, Geneva, Edinburgh, London, Berlin, Frankfurt, Chicago, and New York by several distinguished scholars, including Gene Brucker, Carl Schorske, Edward Shils, Martin Jay, and Nathan Glazer.

John David Cave (Author)

Mircea Eliade's Vision for a New Humanism

Editura: OXFORD UNIV PR

Anul aparitiei: 1993

The influential scholar of religion Mircea Eliade envisioned a spiritually destitute modern culture coming into renewed meaning through the recovery of archetypal myths and symbols. Eliade defined this restoration of meaning as a "new humanism" of existential meaning and cultural-religious unity. Through a biographical exegesis of Eliade's life and writings from his earliest years in Romania to his final ones as professor of the history of religions at the University of Chicago, Cave sets forward a structural description of what this "new humanism" might have meant for Eliade, and what it signifies for modern culture. Cave concludes by endorsing Eliade's radically pluralistic vision which, he argues, offers a key to the revitalization of our demythologized and material culture. This study repositions previous Eliadean studies and places the "new humanism" as the paradigm in relation to which future readings of Eliade should be evaluated.

Kathy J. Ogren (Author)

The Jazz Revolution: Twenties America & the Meaning of Jazz

Editura: OXFORD UNIV PR

Anul aparitiei: 1992

Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along with many other Americans celebrated it--both as an expression of black culture and as a symbol of rebellion against American society. But an equal number railed against it. Whites were shocked by its raw emotion and sexuality, and blacks considered it "devil's music" and criticized it for casting a negative light on the black community. In this illuminating work, Kathy Ogren places this controversy in the social and cultural context of 1920s America and sheds new light on jazz's impact on the nation as she traces its dissemination from the honky-tonks of New Orleans, New York, and Chicago, to the clubs and cabarets of such places as Kansas City and Los Angeles, and further to the airwaves. Ogren argues that certain characteristics of jazz, notably the participatory nature of the music, its unusual rhythms and emphasis, gave it a ...

Richard A. Keiser (Author)

Subordination or Empowerment?: African-American Leadership and the Struggle for Urban Political Power

Editura: OXFORD UNIV PR

Anul aparitiei: 1997

Why have Blacks won political empowerment in some cities and in others remained subordinated or had their achievements rolled back? Why do some cities have many Black leaders with multi-racial appeal while other cities have none? Subordination or Empowerment answers these questions through detailed historical examinations of the Black struggle for political power in Chicago, Gary, Philadelphia, and Atlanta. Keiser argues that electoral competition among White factions has created opportunities for Black leaders to win genuine political empowerment and avoid subordination. When electoral competition among Whites does not exist, Black votes lose their electoral leverage, leading to the rise of extra-electoral strategies. Keiser's dynamic theory of leadership formation explains the current appeal of Black separatism and messianism at the local and national levels and the consequent rise of leaders such as Louis Farakhan, and offers a rejoinder to Cornel West's critique of Black leadership in Race Matters .

Robert W. Peterson (Author)

Pigskin: The Early Years of Pro Football

Editura: OXFORD UNIV PR

Anul aparitiei: 1996

If the National Football League is now a mammoth billion-dollar enterprise, it was certainly born into more humble circumstances. Indeed, it began in 1920 in an automobile showroom in Canton, Ohio, when a car dealer called together some owners of teams, mostly in the Midwest, to form a league. Unlike the lavish boardrooms in which NFL owners meet today, on this occasion the owners sat on the running boards of cars in the showroom and drank beer from buckets. A membership fee of $100 was set, but no one came up with any money. (As one of those present, George Halas, the legendary owner of the Chicago Bears, said, "I doubt that there was a hundred bucks in the room.") From such modest beginnings, pro football became far and away the most popular spectator sport in America. In Pigskin, Robert W. Peterson presents a lively and informative overview of the early years of pro football--from the late 1880s to the beginning of the television era. Peterson describes the colorful beginnings of the pro game and its outstanding teams (the Green Bay Packers, the New York Giants, the Chicago Bears, the Baltimore Colts), and the great games they played. Profiles of the most famous players of the ...

Martin S. Pernick (Author)

The Black Stork: Eugenics and the Death of Defective Babies in American Medicine and Motion Pictures Since 1915

Editura: OXFORD UNIV PR

Anul aparitiei: 1996

In the late 1910s Dr. Harry J. Haiselden, a prominent Chicago surgeon, electrified the nation by allowing the deaths of at least six infants he diagnosed as "defectives". He displayed the dying infants to journalists, wrote about them for the Hearst newspapers, and starred in a feature film about his crusade. Prominent Americans from Clarence Darrow to Helen Keller rallied to his support. Martin Pernick tells this captivating story--uncovering forgotten sources and long-lost motion pictures--in order to show how efforts to improve human heredity (eugenics) became linked with mercy killing, as well as with race, class, gender and ethnicity. It documents the impact of cultural values on science along with the way scientific claims of objectivity shape modern culture. While focused on early 20th century America, The Black Stork traces these issues from antiquity to the rise of Nazism, and to the "Baby Doe", "assisted suicide" and human genome initiative debates of today.

Vanessa Northington Gamble (Author)

Making a Place for Ourselves: The Black Hospital Movement, 1920-1945

Editura: OXFORD UNIV PR

Anul aparitiei: 1995

In a perfect world of medical science, hospitals would be value-neutral medical establishments, healing and treating all people in need equally. Hospitals, in addition to being medical facilities, are social institutions that reflect and reinforce the beliefs and values of the wider society. Making a Place for Ourselves examines an important but not widely chronicled event at the intersection of African-American history and American medical history - the black hospital movement. A practical response to the racial realities of American life, the movement was a "self-help" endeavor - immediate improvement of separate medical institutions insured the advancement and health of African Americans until the slow process of integration could occur. Recognizing that their careers depended on access to hospitals, black physicians associated with the two leading black medical societies, the National Medical Association (NMA) and the National Hospital Association (NHA), initiated the movement in the 1920s in order to upgrade the medical and education programs at black hospitals. Black physicians "made a place for themselves" within the profession of medicine by improving the status and ...

Samuel A., Jr. Floyd (Author)

The Power of Black Music: Interpreting Its History from Africa to the United States

Editura: OXFORD UNIV PR

Anul aparitiei: 1995

When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, ...

W. Royal Stokes (Author)

The Jazz Scene: An Informal History from New Orleans to 1990

Editura: OXFORD UNIV PR

Anul aparitiei: 1993

No one can tell us more about jazz than the musicians themselves. Unfortunately, most oral histories have limited scope--focusing on a particular era or style--and fail to capture the full, rich story of jazz. Now, in this vivid oral history, W. Royal Stokes presents nearly a century of jazz--its people, places, periods, and styles--as it was seen by the artists who created America's most distinctive music. Here, along with the author's enlightening commentary, are the words of musicians famous and little-known, veterans of the early years and pathbreakers of the present, telling us about their origins and adventures, about the places and performers they have known. We read of young artists learning their skills surrounded by poverty, going on to win fame around the world. We feel the excitement of jazz before the war ("The music was all over the place," recalled Wild Bill Davison. "It's just unbelievable how many bands there were in Chicago. You could go anywhere and there'd be a band."). And we glimpse the gritty, hard life hidden beneath the beauty of the notes they played: "I remember not eating practically a month several times," said Mary Lou Williams. "During the depression ...

Ellen Fitzpatrick (Author)

Endless Crusades: Women Social Scientists and Progressive Reform

Editura: OXFORD UNIV PR

Anul aparitiei: 1994

This book examines the lives and careers of four American women--Sophonisba Breckinridge, Edith Abbott, Katharine Bement Davis, and Frances Kellor--who played decisive roles in early twentieth-century reform crusades. Breckinridge and Abbott used their educations in political science and political economy to expose the tragic conditions endured by the urban poor. Davis became the first superintendent of the New York State Reformatory at Bedford Hills and was a leading figure in prison reform. Kellor's sociological training gained her admittance to the smoke-filled rooms of national party politics and eventually to a high-ranking position in the Progressive Party. In Endless Crusade, Fitzpatrick follows these four women from their collective experience as University of Chicago graduate students at the turn of the century to their extraordinary careers as early-twentieth-century social activists, exploring the impact of their academic training and their experiences as professional women on issues ranging from prison reform to Progressive Party politics. Fitzpatrick examines how each woman struggled, in various settings, to promote effective social reform. Their shared commitment to ...

Michael W. Harris (Author)

The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church

Editura: OXFORD UNIV PR

Anul aparitiei: 1994

Most observers believe that gospel music has been sung in African American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history reveals. Working through the blues and gospel movement. Harris reconstructs the rise of gospel blues within the context of early twentieth century African American cultural history. After a nervous breakdown and a subsequent religious conversion in 1928. Dorsey began to write gospel songs with blues accompaniments. His introduction of these "goals" into Chicago's Afro-Baptist churches during the 1930s stirred clashes between recently arrived southern migrants who felt comforted by the new spirituals and old-line members who dismissed the songs as sacrilegious echoes of the slave past. After years of writing and publishing hudnreds of "songs with a message"-- such as "Take My Hand", "Precious Lord", and "There Will Be Peace in the Valley"-- and training gospel singers such as Mahalia Jackson, Dorsey had earned the title of "father" of gospel blues by the early 1940s. Delving into the life of the most prominent person in the advent of the gospel song movement. Harris illuminates not ...