Descriere: Claims of ideology's end are, on the one hand, performative denials of ideology's inability to end; while, on the other hand, paradoxically, they also reiterate an idea that 'ending' is simply what all ideologies eventually do. Situating her work around the intersecting publications of Daniel Bell's The End of Ideology (1960) and J.D. Salinger's Franny and Zooey (1961), Laurie Rodrigues argues that American novels express this paradox through nuanced applications of non-realist strategies, distorting realism in manners similar to ideology's distortions of reality, history, and belief. Reflecting the astonishing cultural variety of this period, The American Novel After Ideology, 1961 - 2000 examines Franny and Zooey, Carlene Hatcher Polite's The Flagellants (1967), Leslie Marmon Silko's Almanac of the Dead (1991), and Philip Roth's The Human Stain (2001) alongside the various discussions around ideology with which they intersect. Each novel's plotless narratives, dissolving subjectivities, and cultural codes organize the texts' peculiar relations to the post-ideological age, suggesting an aesthetic return of the repressed.
Autori: Rodrigues Professor or Dr. Laurie (Assistant Professor of English University of La Verne USA) | Editura: Bloomsbury Publishing Plc | Anul aparitiei: 2020 | ISBN: 9781501361869 | Numar de pagini: 232 | Categorie: Literature
Gale Research Inc (Editor)
Nineteenth-Century Literature Criticism assembles critical responses to the works of 19th-century authors of all sortsâ "novelists, poets, playwrights, journalists, philosophers, political leaders, scientists, mathematicians and writers from other genresâ "from every region of the world.Each of the more than 300 volumes in this long-standing series profiles approximately 3-6 novelists, poets, playwrights, journalists, philosophers or other creative and nonfiction writers by providing full-text or excerpted criticism reproduced from books, magazines, literary reviews, newspapers and scholarly journals. Clear, accessible introductory essays followed by carefully selected critical responses allow end-users to engage with a variety of scholarly views and conversations about authors, works and literary topics. Introductory essays are written and entries compiled by professional literature researchers and other subject matter experts; many include an author portrait. A full citation and annotation precede each of the approximately 50 essays per volume. The series currently covers nearly 600 authors and also includes numerous entries focusing on literary topics and individual works. ...
Gale Research Inc (Editor)
Nineteenth-Century Literature Criticism assembles critical responses to the works of 19th-century authors of all sortsâ "novelists, poets, playwrights, journalists, philosophers, political leaders, scientists, mathematicians and writers from other genresâ "from every region of the world.Each of the more than 300 volumes in this long-standing series profiles approximately 3-6 novelists, poets, playwrights, journalists, philosophers or other creative and nonfiction writers by providing full-text or excerpted criticism reproduced from books, magazines, literary reviews, newspapers and scholarly journals. Clear, accessible introductory essays followed by carefully selected critical responses allow end-users to engage with a variety of scholarly views and conversations about authors, works and literary topics. Introductory essays are written and entries compiled by professional literature researchers and other subject matter experts; many include an author portrait. A full citation and annotation precede each of the approximately 50 essays per volume. The series currently covers nearly 600 authors and also includes numerous entries focusing on literary topics and individual works. ...
Gale Research Inc (Editor)
This highly useful series presents substantial excerpts from the best criticism on the major literary figures and nonfiction writers, including novelists, poets, playwrights and literary theorists, of 1900 to 1999 -- the era most frequently studied in high schools. Each volume presents overviews of four to eight authors with chronologically arranged criticism representing the entire range of response to each author. A typical excerpt is prefaced by an annotation that explains the critics reputation and critical philosophy and providing a synopsis of the excerpt. Approximately 90-95% of critical essays are full text. Every fourth volume is a Topics volume covering major literary movements, trends and other topics. Volumes include author, nationality, topic and title indexes; a cumulative title index to the entire series is published separately.