Carti edward albee

Stretching My Mind

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Edward Albee

Stretching My Mind

Editura: Carroll & Graf Publishers

Anul aparitiei: 2006

America's most important living playwright, Edward Albee, has been rocking our country's moral, political and artistic complacency for more than 50 years. Beginning with his debut play, The Zoo Story (1958), and on to his barrier breaking works of the 1960s, most notably The American Dream (1960), Who's Afraid of Virginia Woolf? (1963), and the Pulitzer Prize-winning A Delicate Balance (1966), Albee's unsparing indictment of the American way of life earned him early distinction as the dramatist of his generation. His acclaim was enhanced further in the decades that followed with prize-winning dramas such as Seascape (1974) and Three Tall Women (1991), as well as recent works like The Play About the Baby (2001) and The Goat. (2002). Albee has brought the same critical force to his non-theatrical prose. Stretching My Mind collects for the first time ever the author's writings on theater, literature, and the political and cultural battlegrounds that have defined his career. Many of the selections were drawn from Albee's private papers, and almost all previously published material -- dating from 1960 to the present -- has never been reprinted. Topics include Samuel Beckett, Eugene ...

  

Who's Afraid of Virginia Woolf?

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Edward Albee

Who's Afraid of Virginia Woolf?

Editura: New American Library

Anul aparitiei: 2006

9, A bitter marriage unravels in Edward Albee's darkly humorous play--winner of the Tony Award for Best Play. "Twelve times a week," answered actress Uta Hagen when asked how often she'd like to play Martha in Who's Afraid of Virginia Woolf? In the same way, audiences and critics alike could not get enough of Edward Albee's masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With its razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art--an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come."

  

Three Tall Women

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Edward Albee

Three Tall Women

Editura: Plume Books

Anul aparitiei: 1995

WINNER OF THE PULITZER PRIZE FOR DRAMA Soon to be back on Broadway in a revival directed by Joe Mantello, starring two-time Oscar winner Glenda Jackson and Tony-nominee Laurie Metcalf Earning a Pulitzer and Best Play awards from the Evening Standard, Critics Circle, and Outer Critics Circle, among others, when it premiered, Edward Albee has, in Three Tall Women, created a masterwork of modern theater. As an imperious, acerbic old woman lies dying, she is tended by two other women and visited by a young man. Albee's frank dialogue about everything from incontinence to infidelity portrays aging without sentimentality. His scenes are charged with wit, pain, and laughter, and his observations tell us about forgiveness, reconciliation, and our own fates. But it is his probing portrait of the three women that reveals Albee's genius. Separate characters on stage in the first act, yet actually the same "everywoman" at different ages in the second act, these "tall women" lay bare the truths of our lives--how we live, how we love, what we settle for, and how we die. Edward Albee has given theatergoers, critics, and students of drama reason to rejoice.

  

Cat on a Hot Tin Roof

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Tennessee Williams

Cat on a Hot Tin Roof

Editura: New Directions Publishing Corporation

Anul aparitiei: 2004

2,Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sexuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt. In spite of the public controversy Cat stirred up, it was awarded the Pulitzer Prize and the Drama Critics Circle Award for that year. Williams, as he so often did with his plays, rewrote Cat on a Hot Tin Roof for many years--the present version was originally produced at the American Shakespeare Festival in 1974 with all the changes that made Williams finally declare the text to be definitive, and was most recently produced on Broadway in the 2003-04 season. This definitive edition also includes Williams' essay "Person-to-Person," Williams' notes on the various endings, and a short chronology of the author's life. One of America's greatest living playwrights, as well as a friend and colleague of Williams, Edward Albee has written a concise introduction to the play from a playwright's perspective, examining the candor, sensuality, power, and impact of Cat on ...

  

American Theatre Book of Monologues for Women

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American Theatre Book of Monologues for Women

Editura: Theatre Communications Group

Anul aparitiei: 2003

The best monologues from 15 years of American Theatre magazine plays.These monologue books present the best audition pieces for actors selected from over 80 plays first published in American Theatre magazine since 1985. The magazine has published many of the most important contemporary American plays over the last 15 years, including Angels in America, Three Tall Women, M. Butterfly, Talk Radio, The Baltimore Waltz, Buried Child, to name a few.Chosen by Stephanie Coen, the former managing editor of American Theatre, these books provide a remarkable array of styles and characters for use in auditions or scene study classes by male and female actors.Selected from the work of the following playwrights: Edward Albee, Jon Robin Baitz, Eric Bogosian, Pearl Cleage, Don DeLillo, Rita Dove, Christopher Durang, Horton Foote, Maria Irene Fornes, Athol Fugard, Vaclav Havel, Danny Hoch, David Henry Hwang, Moisès Kaufman, Tony Kushner, Craig Lucas, Emily Mann, Steve Martin, Reynolds Price, Dael Orlandersmith, David Rabe, Sam Shepard, Paula Vogel, Lanford Wilson and George C. Wolfe.Stephanie Coen is the former managing editor of American Theatre magazine. She is currently associated with the ...

  

The Flu Season and Other Plays

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Will Eno

The Flu Season and Other Plays

Editura: Theatre Communications Group

Anul aparitiei: 2008

"Will Eno is one of the finest younger playwrights I have come across in a number of years. His work is inventive, disciplined and, at the same time, wild and evocative. His ear is splendid and his mind is agile."--Edward Albee "An original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life. Eno specializes in the connections of the unconnected, the apologetic murmurings of the disengaged."--Guardian Winner of the 2004 Oppenheimer Award for best New York debut by an American playwright, The Flu Season is a reluctant love story, in spite of itself. Set in a hospital and a theater, it is a play that revels in ambivalence and derives a flailing energy from its doubts whether a love story is ever really a love story. Will Eno has been called "a Samuel Beckett for the Jon Stewart generation" (New York Times)--he is a playwright with an extraordinary voice and a singular theatrical vision. Also included in this volume are Tragedy: A Tragedy and Intermission. Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Oh, the Humanity and other good intentions, ...

  

The Collected Plays of Edward Albee: 1958-65

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Edward Albee

The Collected Plays of Edward Albee: 1958-65

Editura: Overlook Press

Anul aparitiei: 2008

2, The Collected Plays of Edward Albee, Volume 1 includes eight plays from 1958-1965 by "a major American playwright who helped change the shape of drama here and abroad" (New York Times). Edward Albee's plays featured here range from the four brilliant one-act plays with which he exploded on the New York theater scene--The Zoo Story, The Death of Bessie Smith, The Sandbox, and The American Dream--to his early masterpiece, Who's Afraid of Virginia Woolf? Also included are two adaptations from notable American novels The Ballad of the Sad Caf? and Malcolm and Albee's mysteriously fascinating Tiny Alice. This book represents one of the most exciting and bold periods in the career of one of America's most popular and imaginative playwrights.

  

A Memory, a Monologue, a Rant, and a Prayer

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A Memory, a Monologue, a Rant, and a Prayer

Editura: Villard Books

Anul aparitiei: 2007

Selections from the "Until the Violence Stops" Festival Featuring writings by Abiola Abrams - Edward Albee - Tariq Ali - Maya Angelou - Periel Aschenbrand - Patricia Bosworth - Nicole Burdette - Kate Clinton - Kimberle Crenshaw - Michael Cunningham - Edwidge Danticat - Ariel Dorfman - Mollie Doyle - Slavenka Drakulic - Michael Eric Dyson - Dave Eggers - Kathy Engel - Eve Ensler - Jane Fonda - Carol Gilligan - Jyllian Gunther - Suheir Hammad - Christine House - Marie Howe - Carol Michèle Kaplan - Moisés Kaufman - Michael Klein - Nicholas Kristof - James Lecesne - Elizabeth Lesser - Mark Matousek - Deena Metzger - Susan Miller - Winter Miller - Susan Minot - Robin Morgan - Kathy Najimy - Lynn Nottage - Sharmeen Obaid-Chinoy - Sharon Olds - Hanan al-Shaykh - Anna Deavere Smith - Diana Son - Monica Szlekovics - Robert Thurman - Betty Gale Tyson - Alice Walker - Jody Williams - Erin Cressida Wilson - Howard Zinn This groundbreaking collection, edited by author and playwright Eve Ensler, features pieces from "Until the Violence Stops," the international tour that brings the issue of violence against women and girls to the forefront of our consciousness. These diverse voices rise up in ...

  

The American Theatre Reader: Essays and

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The American Theatre Reader: Essays and Conversations from American Theatre Magazine

Editura: Theatre Communications Group

Anul aparitiei: 2009

In celebration of American Theatre's twenty-fifth anniversary, the editors of the nation's leading theater magazine have chosen their best essays and interviews to provide an intimate look at the people, plays, and events that have shaped the American theater over the past quarter-century. Over two hundred artists, critics, and theater professionals are gathered in this one-of-a-kind collection, from the visionaries who conceived of a diverse and thriving national theater community, to the practitioners who have made that dream a reality. The American Theatre Reader captures their wide-ranging stories in a single compelling volume, essential reading for theater professionals and theatergoers alike.Partial contents include: Interviews with Edward Albee, Anne Bogart, Peter Brook, Lorraine Hansbury, Lillian Hellman, Jonathan Larson, David Mamet, Arthur Miller, Joseph Papp, Will Power, Bartlett Scher, Sam Shepard, Tom Stoppard, Luis Valdez, Paula Vogel, August Wilson, and others.Essays by Eric Bentley, Eric Bogosian, Robert Brustein, Christopher Durang, Oskar Eustis, Zelda Fichandler, Eva La Gallienne, Vaclav Havel, Danny Hoch, Tina Howe, David Henry Hwang, Naomi Iizuki, Adrienne ...

  

The American Stage: Writing on Theater from

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The American Stage: Writing on Theater from Washington Irving to Tony Kushner

Editura: Library of America

Anul aparitiei: 2010

Here is the story, told firsthand through electric, deeply engaged writing, of America's living theater, high and low, mainstream and experimental. Drawing on history, criticism, memoir, fiction, poetry, and parody, editor Laurence Senelick presents writers with the special knack "to distill both the immediate experience and the recollected impression, to draw the reader into the charmed circle and conjure up what has already vanished." Through the words of playwrights and critics, actors and directors, and others behind the footlights, the entertainments and high artistic strivings of successive eras come vividly, sometimes tumultuously, to life. Observers from Washington Irving and Fanny Trollope to Walt Whitman and Mark Twain evoke the world of the nineteenth-century playhouse in all its raucous vitality. Henry James confesses his early enthusiasm for playgoing; Willa Cather reviews provincial productions of Uncle Tom's Cabin and Antony and Cleopatra. The increasing diversity and ambition of the American theater is reflected in Hutchins Hapgood's account of New York's Yiddish theaters at the turn of the century, Carl Van Vechten's review of the Sicilian actress Mimi Aguglia, ...

  

The Selected Letters of Thornton Wilder

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Thornton Wilder (Author)

The Selected Letters of Thornton Wilder

Editura: PERENNIAL

Anul aparitiei: 2009

Spanning his entire life, The Selected Letters of Thornton Wilder is a comprehensive and fascinating collection of the great American writer's correspondence. The author of such classics as Our Town and The Bridge of San Luis Rey, Thornton Wilder was a born storyteller and dramatist--rare talents on glorious display in this volume of more than three hundred letters he penned to a vast array of famous friends and beloved relatives. Through Wilder's correspondence, readers can eavesdrop on his conversations with Ernest Hemingway, F. Scott Fitzgerald, Gertrude Stein, Noël Coward, Gene Tunney, Laurence Olivier, Aaron Copland, Paul Hindemith, Leonard Bernstein, Edward Albee, and Mia Farrow. Equally absorbing are Wilder's intimate letters to his family. Wilder tells of roller-skating with Walt Disney, remembers an inaugural reception for FDR at the White House, describes his life as a soldier in two World Wars, and recalls dining out with Montgomery Clift and Elizabeth Taylor. In these pages, Thornton Wilder speaks for himself in his own unique, enduring voice--informing, encouraging, instructing, and entertaining with his characteristic wit, heart, and exuberance. ...

  

The Drama of Marriage: Gay Playwrights/Straight

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John M. Clum (Author)

The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present

Editura: PALGRAVE

Anul aparitiei: 2011

In studying performances of marriage in modern and contemporary British and American drama, Clum highlights the fact that - paradoxically - at a time when theatre was both popular entertainment and high culture, many of the most commercially and artistically successful plays about marriage were written by homosexual men. Beginning with Oscar Wilde and focusing on some of the most successful British and American playwrights of the past century, including Somerset Maugham, Noël Coward, Terence Rattigan, and Emlyn Williams in England and Clyde Fitch, George Kelly, Tennessee Williams, William Inge, and Edward Albee in the US, The Drama of Marriagelooks at how the plays they wrote about heterosexual marriage continue to impact contemporary gay playwrights and the depiction of marriage today.

  

Albee in Performance

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Rakesh H. Solomon (Author)

Albee in Performance

Editura: INDIANA UNIV PR

Anul aparitiei: 2010

A premier playwright, Edward Albee is also a gifted director. Albee in Performance details Albee's directorial vision and how that vision animates his plays. Having had extraordinary access to Albee as director, Rakesh H. Solomon reveals how Albee has shaped his plays in performance, the attention he pays to each aspect of theater, and how his conception of the key plays he has directed has evolved over a five-decade career. Solomon pays careful attention to the major works, from The American Dream and Zoo Story to Albee's best-known work, Who's Afraid of Virginia Woolf?, as well as to later plays such as Marriage Play and Three Tall Women. The book also includes interviews with Albee and his collaborators on all aspects of staging, from rehearsal to performance.

  

The Boys from Siam

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John Austin Connolly (Author)

The Boys from Siam

Editura: YALE UNIV PR

Anul aparitiei: 2008

Announcing the 2007 winner of the Yale Drama Series John Connolly's The Boys from Siam has been chosen as the first winner of the Yale Drama Series. This play was selected by playwright and contest judge Edward Albee, winner of the Pulitzer prize. Based loosely on the lives of nineteenth-century brothers Chang and Eng Bunker (the source of the term "Siamese twins"), The Boys from Siam is the haunting and lyrical story of conjoined twins Pigg and Pegg. In his foreword, Edward Albee writes that the work is "a beautifully realized concentrated universe. It takes big chances along the way . . . and makes us care--really care." For more information and complete rules for the Yale Drama Series, visit yalebooks.com

  

Grenadine

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Neil Wechsler (Author)

Grenadine

Editura: YALE UNIV PR

Anul aparitiei: 2009

Neil Wechsler's "Grenadine" has been chosen as the second winner of the Yale Drama Series. The play was selected by Pulitzer Prizewinning playwright and contest judge Edward Albee. "Grenadine "is the fantastical story of a man s quest for love in the company of three devoted friends. Albee writes, I found it highly original. . . . The questions the play asks and the answers it proposes are provocative; the play stretched my mind. About the Yale Drama SeriesYale University Press, the Yale Repertory Theatre, and the David Charles Horn Foundationare proud co-sponsors of this major competition to support emerging playwrights. Each year s winner receives the David C. Horn Prize of $10,000, publication of the manuscript by Yale University Press, and a staged reading at Yale Repertory Theatre. For more information and complete rules for the Yale Drama Series, visit yalebooks.com.

  

Edward Albee: A Research and Production Sourcebook

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Barbara Lee Horn (Author)

Edward Albee: A Research and Production Sourcebook

Editura: GREENWOOD PUB GROUP INC

Anul aparitiei: 2003

This volume documents the life and works of the acclaimed playwright, Edward Albee. His first four plays were all produced Off Broadway from 1960-1961, creating buzz that he was an up-and-coming avant-garde playwright. But his most notable accomplishment came a year later with his first full-length play, Who's Afraid of Virginia Woolf? . His plays were linked with the philosophies of the European absurdists, Beckett and Ionesco, and the American traditional social criticism of Arthur Miller, Tennessee Williams, and Eugene O'Neill. Intended to serve as a quick reference guide and an exhaustive resource, this collection includes play synopses and critical overviews, production histories and credits, and locator suggestions on unpublished archival material and lists of texts/anthologies that have published Albee's material. The two secondary bibliographies contained within are fully annotated chronologically and alphabetically with the year of publication, presenting a fuller sense of Albee's playwriting career.

  

Contemporary Gay American Poets and Playwrights:

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H. L. Wesseling (Author)

Contemporary Gay American Poets and Playwrights: An A-To-Z Guide

Editura: GREENWOOD PUB GROUP INC

Anul aparitiei: 2003

Gay presence is nothing new to American verse and theater. Homoerotic themes are discernible in American poetry as early as the 19th century, and identifiably gay characters appeared on the American stage more than 70 years ago. But aside from a few notable exceptions, gay artists of earlier generations felt compelled to avoid sexual candor in their writings. Conversely, most contemporary gay poets and playwrights are free from such constraints and have created a remarkable body of work. This reference is a guide to their creative achievements. Alphabetically arranged entries present 62 contemporary gay American poets and dramatists. While the majority of included writers are younger artists who came of age in the post-Stonewall U.S., some are older authors whose work has continued or persisted into recent decades. A number of these writers are well known, including Edward Albee, Harvey Fierstein, and Allen Ginsberg. Others, such as Alan Bowne, Timothy Liu, and Robert O'Hara, merit wider recognition. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, an overview of the author's critical reception, and primary and ...

  

Finding Our Place: 100 Memorable Adoptees,

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Nikki McCaslin (Author)

Finding Our Place: 100 Memorable Adoptees, Fostered Persons, and Orphanage Alumni

Editura: GREENWOOD PUB GROUP INC

Anul aparitiei: 2010

This unique one-volume reference guide provides positive and empowering biographical sketches of 100 famous and well-known adoptees throughout time, serving to counter the many negative stereotypes that exist that exist about people who were adopted, fostered, or lived in orphanages. This work looks at the lives of people who, despite circumstances in their childhood, were able to succeed in making important contributions to art, music, science, literature, politics, and entrepreneurship. This work answers the call to obtaining difficult-to-find information about well-known adoptees. High school students and general readers who are interested in learning more about positive role models in adoption and children's issues will find this book invaluable. McCaslin outlines the parameters she used for inclusion in the book, and then discusses the history of adoption from ancient civilization to today's society. Each entry focuses on the early life of the subject, as well as his or her career and achievements. Entries include Aristotle, Edward Albee, Ingrid Bergman, Oksana Baiul, Ella Fitzgerald, Faith Hill, Marilyn Monroe, Dave Thomas, Orson Welles and many more.

  

The Dance of Death: Parts I and II

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August Strindberg (Author)

The Dance of Death: Parts I and II

Editura: W W NORTON & CO INC

Anul aparitiei: 1976

During the past two decades, The Dance of Death , Strindberg's long and taxing family drama, has come to be considered his masterpiece. Produced by major companies in New York and London, filmed once with Erich von Stroheim and then with Sir Laurence Olivier in the lead, adapted by Friedrich Dürrenmatt as Play Strindberg , and a direct influence on Edward Albee's Who's Afraid of Virginia Woolf? , The Dance of Death has established itself as one of the key works of the modern theater.

  

Eminent Outlaws: The Gay Writers Who Changed

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Christopher Bram (Author)

Eminent Outlaws: The Gay Writers Who Changed America

Editura: TWELVE

Anul aparitiei: 2012

"Fascinating...fun to read and will be the standard text of the defining era of gay literati." -- Philadelphia Inquirer In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich ...

  
 
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