A History of the Mass and Its Ceremonies in the Eastern and Western Church

Karel Van Der Toorn (Author)

Israelite Religion: From Tribal Beginnings to Scribal Legacy

9,A panoramic, thousand-year history of Israelite religion, from the Iron Age to the birth of Judaism, by a renowned biblical scholar From its Iron Age beginnings to its aftermath in the Roman period, Israelite religion went through significant changes and transformations. As the Israelites responded to major historical events and political realities, their collective beliefs and practices evolved over time and developed new forms, even as earlier elements of religious culture remained an active substratum. Weaving together biblical literature, archaeology, and comparative sources, award-winning author Karel van der Toorn tells the sweeping story of how Israelite religion evolved from a tribal cult honoring the ancestors and the "god of the fathers" to a scriptural religion practiced by an ethnic minority within the Roman Empire. He demonstrates how religion was integral to nation-building as Israel transitioned from a nomadic chiefdom to a monarchical state; how religious practices changed in response to the loss of political independence; and how in the final centuries before the Common Era, as Hellenistic culture permeated the Eastern Mediterranean, Israelite religion gave ...

Daniela Straccamore (Author)

...i ricordi di gente comune VOGLIO SCRIVERE DI TE a Karol Wojtyla

IRDA EDIZIONI I tuoi ricordi di un Papa Santo, 2 Aprile ricorrenza della sua scomparsa, scrivi tu, f

Sally M. Promey (Author)

Religion in Plain View: Public Aesthetics of American Display

8, A revelatory critique of public display in the United States. In Religion in Plain View, Sally M. Promey analyzes religion's visible saturation of American public space and the histories that shaped this exhibitionary aesthetics. In street art, vehicle d?cor, signs, monuments, architecture, zoning policy, and more, Promey exposes American display's merger of evangelicalism, capitalism, and imperialism. From this convergence, display materializes a distinctly American drive to advertise, claim territory, invalidate competitors, and fabricate a tractable national heritage. Charting this aesthetics' strategic work as a Protestant technology of White nation formation, Religion in Plain View offers a dynamic critique of the ways public display perpetuates deeply ingrained assumptions about the proper shape of life and land in the United States.