Chasing Justice: My Story of Freeing Myself After Two Decades on Death Row for a Crime I Didn't Commit

Bronson Lemer (Author)

The Lonely Veteran's Guide to Companionship

3,In this collection of interrelated essays, Bronson Lemer explores companionship through the lens of a queer veteran, focusing on the difficulty of forming true connections with others, including a "battle buddy" during basic training, the people he meets while teaching in China, and the spirit of a long-dead older sister. Lemer uses lessons from popular culture and literature--the globe-trotting exploits of fictional criminal Carmen Sandiego, the sexual exploration in Baldwin's Giovanni's Room, the expatriate longing in Hemingway's A Moveable Feast, just to name a few--as a means to think more broadly about the role of the outsider and how we navigate aimlessness while searching for stability and meaning. Lemer's distinct take on the veteran's story boldly engages the intersection of military narratives and queer culture, including examinations into the role of thirst traps in contemporary dating culture, the fears of long-term health damage caused by military service, and the ways in which intimate relationships can lead to a loss of self. Taken together, his essays illustrate how one queer veteran managed to carve out a path that led him, however awkwardly at times, closer to ...

Alan MacEachern (Author)

Becoming Green Gables: The Diary of Myrtle Webb and Her Famous Farmhouse

In 1909 Myrtle and Ernest Webb took possession of an ordinary farm in Cavendish, Prince Edward Islan

Nicola Moorby (Author)

Turner and Constable: Art, Life, Landscape

0, Born just fourteen months apart, one in London and the other in rural Suffolk, J. M. W. Turner and John Constable went on to change the face of British art The two men have routinely been seen as polar opposites, not least by their peers. Differing in temperament, background, beliefs, and vision, they created images as dissimilar as their personalities. Yet in many ways they were fellow travellers. As children of the late eighteenth century, both faced the same challenges and opportunities. Above all, they shared common cause as champions of a distinctively British art. Through their work, they fought for the recognition and appreciation of landscape painting--and in doing so ensured their reputations were forever intertwined and interlinked. Nicola Moorby offers us a fresh perspective on two extraordinary artists, uncovering the layers of fiction that have embellished and disguised their greatest achievements. For Turner & Constable is not just a tale of two artists; it is also the story of the triumph of landscape painting.