Descriere: New in Paperback!"Color Management" shows how to implement color as a practical form of problem solving. It is a consolidated resource, arming designers with an understanding of how to communicate with and manage color in all its aspects and applications; subtractive and additive; pigment, CMYK and RGB; 2-D and 3-D; still and motion. Sensitivity of pigments to light and air and the stability of inks are also detailed, as is the human factor, through issues of color legibility and the physical and psychological effects of color. In its depth and breadth, it is a unique body of information.
Autori: Sarah A. Meyer, John T. Drew | Editura: Rotovision | Anul aparitiei: 2008 | ISBN: 9782888930181 | Numar de pagini: 224 | Categorie: Art
Natalie Avella
Paper Engineering: 3-D Design Techniques for a 2-D Material
"Paper Engineering" explores graphic design that extends beyond 2D. From a simple fold in a letterhead to the structural intricacies of a pop-up book, the construction of a 3D paper object requires as much input as its surface decoration. This stylish and inspirational book unfolds the conceptual complexities of paper engineering, studying the techniques of eminent international designers. Case studies are illustrated with photographs of finished work, as well as detailed diagrams and commentary. Now available in a fully revised and extended edition, "Paper Engineering" also explores the functions of paper architecture in graphic design, ranging from greeting cards to invitations and from point-of-sale to packaging.
E. Susanna Weygandt (Author)
From Metaphor to Direct Speech: Contemporary Russophone Drama and Performance Theory
Nadiah Rivera Fellah (Author)
0, A new and exciting voice in contemporary art that enriches the wider discourse on Native women artists Rose B. Simpson (b. 1983), a mixed-media artist from Santa Clara Pueblo, New Mexico, is from a long lineage of women working in ceramics in her tribe, dating back hundreds of years. Her signature figures draw heavily on her ancestral Kha'po Owingeh (Santa Clara Pueblo) tribe's centuries-long ceramic tradition while also integrating modern methods, materials, and processes to express bold interventions in colonial legacies of dependency, erasure, and assimilation. Published on the occasion of a large-scale commission for the Cleveland Museum of Art, this richly illustrated volume features essays that contextualize Simpson's work in terms of the history of art, Indigenous feminisms, and Native American art in general. It also includes a moderated conversation with the artist that elucidates Simpson's conceptual framework and practice. Distributed for The Cleveland Museum of Art Exhibition Schedule: The Cleveland Museum of Art (July 14, 2024-April 13, 2025)