Dirty Tricks

Arielle Zibrak (Editor)

Twelve Stories by American Women

3,A collection of twelve essential short stories by iconic American women writers that introduces a more diverse canon and emphasizes non-white and queer writers to better represent the experiences of all American women and to understand the importance of the short story for women A Penguin Classic One of The Millions' Winter Most Anticipated. "Zibrak curates a dozen short stories by women writers who have long been left out of American literary canon--most of them women of color--from Frances Ellen Watkins Harper to Zitkala-Sa." - The Millions When Four Stories by American Women was first published by Penguin Classics in 1990, it understandably reflected the second-wave feminist interpretations of that time--a period marked by an impressive recovery of what were then considered to be minor American writers. Since then, the four white women writers included in the volume--Rebecca Harding Davis, Charlotte Perkins Gilman, Sarah Orne Jewett, and Edith Wharton--have become canonical figures, and scholars have grown to see their work as only a small part of the rich tapestry of American women's lives, values, and political beliefs in the fertile period of late nineteenth century and ...

Jenni Ramone (Author)

Global Literature and Gender

Offering a thorough introduction to notions of gender in contemporary global literature, Globa

Kim Ronyoung (Author)

Clay Walls

1, A landmark modern classic about the Korean American immigrant experience and the dawn of Los Angeles's Koreatown A Penguin Classic Kim Ronyoung (Gloria Hahn, 1926-1987) tells the story of Haesu and Chun, immigrants who fled Japanese-occupied Korea for Los Angeles in the decade prior to World War II, and their American-born children. First published in 1986, Clay Walls offers a portrait of what being Korean in California meant in the first half of the twentieth century and how these immigrants' nationalist spirit helped them withstand racism and poverty. Kim explores the tensions within a family of immigrants and new Americans and brings to the forefront the themes of Korean immigration, U.S. racism, generational trauma, and the early decades of Los Angeles's Koreatown from a Korean American woman's point of view. Through three sections representing the perspectives of mother, father, and daughter, what resonates the most is the voice of a woman and her self-determination, through national identity, marriage, and motherhood.