Simply Sublime Bags: 30 No-Sew, Low-Sew Projects

Margaret B. Krohn, Phyllis W. Schwebke

How to Sew Leather, Suede, Fur

The perfect guide for sewers looking to increase and strengthen their skills, this book provides drawings, photographs, and step-by-step instructions for creating new pieces out of suede, leather, and fur. With over 250 drawings and photographs included, this complete guide for home sewers includes all the instructions needed to make leather jackers, mink coats, shirts, vests, stoles, capes, and more! How to Sew Leather, Suede, Fur shares practical and detailed insight on the techniques of sewing with skins and furs. From pre-sewing operations to finishing touches, this book provides illustrated instructions for every step in created luxurious garments.

James Smith Rudolph

Make Your Own Working Paper Clock

Clocksby Isaac AsimovThrough most of history, people hardly felt the need of clocks. It seemed sufficient to consult one's own physiology to tell when one was hungry or sleepy, or to observe the general position of the sun in the sky during the day or that of the Big Dipper at night.Those who were meticulous enough to want something better searched for some regular motion that existed in nature or that could be contrived. In ancient times, the sundial was invented so that the passage of the shadow of a rod could be followed as the sun crossed the sky.Or else one could observe the extent to which a candle burned downward, or wait till a certain amount of sand had sifted through a small opening. Such devices could be used on cloudy days or at night, when the sun could not be seen and shadows were not observed.In ancient times, the best timepiece was the clepsydra, or water clock, which measured time by the regular dripping of water through a narrow opening. As water accumulated in the lower reservoir, a float carrying a pointer rose and marked the hours. The best water clocks were quite elaborate but few in number and fragile. They could not be relied on to tell time more closely ...

Nancy Arthur Hoskins

The Coptic Tapestry Albums and the Archeaologiest of Antinoe, Albert Gayet

Vibrant tapestries of beribboned birds, cantering centaurs, and Dionysian dancers, woven in Coptic Egypt more than a thousand years ago, were artfully arranged in a handsome pair of albums in 1913. Some of the fabrics are shown in unique collage compositions. Sandals, spindles, and a mysterious lock of hair are assembled in a shallow box at the back of one album. Many textiles in this important collection, housed at the Henry Art Gallery at the University of Washington, were once joined by warp and weft with those from the Musée du Louvre and other major museums.Nancy Hoskins deftly interweaves the creation of the textiles in the Greco-Roman city of Antinoé, Egypt, with their discovery by the charismatic French archaeologist Albert Gayet (1856-1916). Gayet staged stunning exhibitions of the pieces in Paris at the turn of the century and ultimately gave them to museums or sold them. One collector, Henry Bryon, had his 144 fabrics bound into the two albums featured here.The album pages and covers are illustrated in glowing color, along with archival photographs from Gayet's expeditions. The style, structure, and iconography of each tapestry, tabby, and tablet-woven textile are ...