Descriere: First published in 1984, Gerald Bordman's Oxford Companion to American Theatre is the standard one-volume source on our national theatre. Critics have hailed its "wealth of authoritative information" (Back Stage), its "fascinating picture of the volatile American stage" (The Guardian), and its "well-chosen, illuminating facts" (Newsday).
Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. The book covers not only classic works (such as Death of a Salesman) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from Shakespeare to Beckett and Pinter). New entries include recent plays such as Angels in America and Six Degrees of Separation, performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance.
Accessible and authoritative, this valuable A-Z reference is ideal not only for students and scholars of theater, but everyone with a passion for the stage.
Autori: Gerald Martin Bordman (Author) | Editura: OXFORD UNIV PR | Anul aparitiei: 2004 | ISBN: 9780195169867 | Numar de pagini: 394 | Categorie: Art
Nadiah Rivera Fellah (Author)
0, A new and exciting voice in contemporary art that enriches the wider discourse on Native women artists Rose B. Simpson (b. 1983), a mixed-media artist from Santa Clara Pueblo, New Mexico, is from a long lineage of women working in ceramics in her tribe, dating back hundreds of years. Her signature figures draw heavily on her ancestral Kha'po Owingeh (Santa Clara Pueblo) tribe's centuries-long ceramic tradition while also integrating modern methods, materials, and processes to express bold interventions in colonial legacies of dependency, erasure, and assimilation. Published on the occasion of a large-scale commission for the Cleveland Museum of Art, this richly illustrated volume features essays that contextualize Simpson's work in terms of the history of art, Indigenous feminisms, and Native American art in general. It also includes a moderated conversation with the artist that elucidates Simpson's conceptual framework and practice. Distributed for The Cleveland Museum of Art Exhibition Schedule: The Cleveland Museum of Art (July 14, 2024-April 13, 2025)
Charlotte Rivers
CD-Art: Innovation in CD Packaging Design
Now in Paperback The best-selling CD-Art captures the finest CD cover and packaging design from around the world, and provides an international showcase of innovative work. This timely updated version of the original hardcover book looks at developments in the music industry today, and includes new work produced for the growing download and interactive market. The book looks at the ways in which designers excite the senses of sight and touch to create a fuller experience of a product more commonly associated with sound. Through a wealth of case studies, it shows how designers exploit the two- and three-dimensional qualities of CD packaging to create unique, collectable items. It explores not only the traditional elements of design-image, illustration, typography, and packaging-but also innovative materials. Case studies look at how artwork is selected, created, and applied to CD packages; how designers make the most of the standard dimensions for CD packages; and at the use of special formats, unusual materials, slipcases, etc.
Heather Campbell Coyle (Author)
3,A gorgeous look at popular illustrators of the Jazz Age and their influential role in the dynamic culture of the 1920s and '30s The 1920s in the United States was characterized by economic prosperity and dramatic social change. Known as the Jazz Age, it was a time when Black music, art, and literature became a powerful cultural force. Shifting roles for women and trends in youth culture coalesced in the figure of the flapper, causing a moral panic chronicled in the expanding popular press. Exploring how the art of popular illustration helped shape this new consciousness and impacted publishing, politics, and daily life, this volume features works by artists such as Aaron Douglas, Nell Brinkley, John Held Jr., and Lo?s Mailou Jones. Their striking images illustrated the New Yorker, Vanity Fair, The Crisis, Liberty, and the Saturday Evening Post, as well as newspapers, novels, and books for children. Essays foreground the contributions of women and Black artists; draw parallels between music, fashion, and the aesthetics of popular illustration; discuss the impact of the Harlem Renaissance and the national growth of the Black press; highlight the legacy of illustrator Howard Pyle ...