The Photograph

Katherine Ware

Earth Now: American Photographers and the Environment

Since its invention, photography has been used to document and interpret the landscape. Survey photographers in the 1860s were the first environmental advocates, arguing for the U.S. national park system. During the first half of the twentieth century photographers Ansel Adams and Eliot Porter were central figures in influencing American attitudes toward wilderness and conservation. This book traces the development of environmental photography beginning with Adams, Porter, and others, and the next generation of landscape photographers--Robert Adams, Richard Misrach, Robert Glenn Ketchum, Patrick Nagatani, and Mark Klett--whose works confronted the issues of landscape and the environment in less idealized terms. Shifting from the historical framework, the book presents new work by twenty-three photographers working in the United States, the next wave of artists using the camera to engage the environmental issues of the day. Works by Michael Berman, Subhankar Banerjee, Joann Brennan, Dornith Doherty, Greg Mac Gregor, Christina Seely, Sharon Stewart, and others are among the ninety-one black-and-white and color images presented, many being published for the first time. Ranging from ...

Brian Horton, Horton Brian

Associated Press Guide to Photojournalism

Written by noted AP photographer and photoeditor Brian Horton, this is an insider's manual to one of the most glamorous and exciting media professions. Emphasizing the creative process behind the photojournalist's art, Brian Horton draws upon his three decades of experience, as well as the experiences of other award-winning photojournalists, to instruct readers in the secrets of snapping memorable news photos every time. With the help of more than 100 photographs from the AP archives, he analyzes what constitutes successful news photos of every type, including portraits, tableaux, sports shots, battlefield scenes, and more, as well as offering tips on how to develop a style of your own.

Timothy White, Jim Marshall

Match Prints

Match Prints is a visual and editorial dialogue between two renowned photographers of music and film celebrities, Jim Marshall and Timothy White. Marshall, one of the foremost photographers of the rock music scene in the 1960s and 1970s, shot some of the most iconic images of the era, including Jimi Hendrix burning his guitar at Woodstock; White, one of the most in-demand music and Hollywood photographers working today, has built an equally impressive portfolio of photos in his 20 year career. Match Prints features images from the worlds of film and music, compares the work of the two photographers, and provides first-hand behind-the-scenes anecdotes. With an introduction by renowned music writer Anthony DeCurtis.