The Photograph

Descriere: How do we read a photograph? In this rich and fascinating work, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most engaging thinkers on the subject, such as Roland Barthes and Susan Sontag. From the first misty "heliograph" taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz and the striking postmodern strategies of Robert Mapplethorpe, Clarke provides a groundbreaking examination of photography's main subject areas--landscape, the city, portraiture, the body, and reportage--as well as a detailed analysis of exemplary images in terms of their cultural and ideological contexts. With over 130 illustrations, The Photograph offers a series of discussions of major themes and genres providing an up-to-date introduction to the history of photography and creating a record of the most dazzling, penetrating, and pervasive images of our time.

Alte carti de Graham Clarke

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Timothy White, Jim Marshall

Match Prints

Match Prints is a visual and editorial dialogue between two renowned photographers of music and film celebrities, Jim Marshall and Timothy White. Marshall, one of the foremost photographers of the rock music scene in the 1960s and 1970s, shot some of the most iconic images of the era, including Jimi Hendrix burning his guitar at Woodstock; White, one of the most in-demand music and Hollywood photographers working today, has built an equally impressive portfolio of photos in his 20 year career. Match Prints features images from the worlds of film and music, compares the work of the two photographers, and provides first-hand behind-the-scenes anecdotes. With an introduction by renowned music writer Anthony DeCurtis.

Pret: 307,00 RON

Anon212 (Author)

Untitled 212: A Behind the Scenes Look at the Cult Classic

Updated descriptive copy for Untitled to added shortly.

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Malcolm Daniel (Author)

Navigating the Waves: Contemporary Cuban Photography

1,A vital exploration of postrevolution Cuban photography, tracing the evolution of artists' perspectives and strategies while offering rare insights for US audiences This book presents an exciting look at the extraordinary Madeleine P. Plonsker Collection of postrevolution Cuban photography at the Museum of Fine Arts, Houston. Emphasizing the years since 1990, it aims to shed light on the Cuban people and their artistic achievements featuring photographs by forty-seven photographers. These images trace the evolution of photographic expression in recent decades, from celebration of the Cuban Revolution to social and political critique, particularly after the collapse of the Soviet Union prompted perilous economic conditions in the 1990s. By examining individual identity, the body and spirit, Afro-Cuban heritage, and the margins of society, this catalogue celebrates the Cuban photographers who created powerful personal expressions while navigating the changing prescriptions and proscriptions of official cultural policy. As a result, it offers new scholarship on the evolution of Cuban photography while fostering a greater understanding of Cuba and its culture. Distributed for The ...

The Photograph

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