Descriere: How do we read a photograph? In this rich and fascinating work, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most engaging thinkers on the subject, such as Roland Barthes and Susan Sontag. From the first misty "heliograph" taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz and the striking postmodern strategies of Robert Mapplethorpe, Clarke provides a groundbreaking examination of photography's main subject areas--landscape, the city, portraiture, the body, and reportage--as well as a detailed analysis of exemplary images in terms of their cultural and ideological contexts. With over 130 illustrations, The Photograph offers a series of discussions of major themes and genres providing an up-to-date introduction to the history of photography and creating a record of the most dazzling, penetrating, and pervasive images of our time.
Autori: Graham Clarke | Editura: Oxford University Press, USA | Anul aparitiei: 1997 | ISBN: 9780192842008 | Numar de pagini: 248 | Categorie: Photography
Nadiah Rivera Fellah (Author)
1,A compilation of Latinx photography from the US-Mexico border that foregrounds the complexity and struggle of Latinx borderland communities in the face of widespread fearmongering The US-Mexico border has undergone dramatic changes over the past six decades, becoming increasingly industrialized, urbanized, and militarized, especially in the aftermath of 9/11 and the War on Terror. Mainstream and conservative news coverage has often reinforced or exacerbated such developments, characterizing the border as out of control and describing migrants in derogatory terms, in the process fueling xenophobic sentiment. A foil to this reductive and dehumanizing narrative, this presentation of Latinx photography offers more nuanced portrayals of life in the borderlands. Ranging from the 1970s to the 2020s, images by Louis Carlos Bernal, Graciela Iturbide, and Laura Aguilar, as well as emerging artists such as Ada Trillo, Guadalupe Rosales, and Miguel Fern?ndez de Castro display alternative photographic vocabularies with regard to place, identity, and race. With subject matter spanning from intimate domestic portraits and youth counterculture to border crossings and clashes involving Border ...
Barbara London, Jim Stone
A Short Course in Photography: An Introduction to Photographic Technique
This easy-to-use text introduces photography students to the fundamentals of photography and suggests ways in which they might create photographs that have meaning. With a special focus on black and white photography, the book also explores digital techniques and web photography resources, equipment, cameras and camera accessories, the exposure and development of film, and the making and finishing of prints. All aspects of the process are explained and illustrated clearly in two-page spreads, each of which addresses a self-contained topic.
Michelle Bogre (Author)
Photography as Activism: Images for Social Change
This fully revised and updated second edition of Photography as Activism is both a study o