Tony Hillerman's Landscape: On the Road with an American Legend

Timothy White, Jim Marshall

Match Prints

Match Prints is a visual and editorial dialogue between two renowned photographers of music and film celebrities, Jim Marshall and Timothy White. Marshall, one of the foremost photographers of the rock music scene in the 1960s and 1970s, shot some of the most iconic images of the era, including Jimi Hendrix burning his guitar at Woodstock; White, one of the most in-demand music and Hollywood photographers working today, has built an equally impressive portfolio of photos in his 20 year career. Match Prints features images from the worlds of film and music, compares the work of the two photographers, and provides first-hand behind-the-scenes anecdotes. With an introduction by renowned music writer Anthony DeCurtis.

Nadiah Rivera Fellah (Author)

Picturing the Border

1,A compilation of Latinx photography from the US-Mexico border that foregrounds the complexity and struggle of Latinx borderland communities in the face of widespread fearmongering The US-Mexico border has undergone dramatic changes over the past six decades, becoming increasingly industrialized, urbanized, and militarized, especially in the aftermath of 9/11 and the War on Terror. Mainstream and conservative news coverage has often reinforced or exacerbated such developments, characterizing the border as out of control and describing migrants in derogatory terms, in the process fueling xenophobic sentiment. A foil to this reductive and dehumanizing narrative, this presentation of Latinx photography offers more nuanced portrayals of life in the borderlands. Ranging from the 1970s to the 2020s, images by Louis Carlos Bernal, Graciela Iturbide, and Laura Aguilar, as well as emerging artists such as Ada Trillo, Guadalupe Rosales, and Miguel Fern?ndez de Castro display alternative photographic vocabularies with regard to place, identity, and race. With subject matter spanning from intimate domestic portraits and youth counterculture to border crossings and clashes involving Border ...

Katherine Ware

Earth Now: American Photographers and the Environment

Since its invention, photography has been used to document and interpret the landscape. Survey photographers in the 1860s were the first environmental advocates, arguing for the U.S. national park system. During the first half of the twentieth century photographers Ansel Adams and Eliot Porter were central figures in influencing American attitudes toward wilderness and conservation. This book traces the development of environmental photography beginning with Adams, Porter, and others, and the next generation of landscape photographers--Robert Adams, Richard Misrach, Robert Glenn Ketchum, Patrick Nagatani, and Mark Klett--whose works confronted the issues of landscape and the environment in less idealized terms. Shifting from the historical framework, the book presents new work by twenty-three photographers working in the United States, the next wave of artists using the camera to engage the environmental issues of the day. Works by Michael Berman, Subhankar Banerjee, Joann Brennan, Dornith Doherty, Greg Mac Gregor, Christina Seely, Sharon Stewart, and others are among the ninety-one black-and-white and color images presented, many being published for the first time. Ranging from ...