Autori: Lawrence Zeegen | Editura: Rotovision | Anul aparitiei: 2009 | ISBN: 9782888930334 | Numar de pagini: 256 | Categorie: Art
Nadiah Rivera Fellah (Author)
0, A new and exciting voice in contemporary art that enriches the wider discourse on Native women artists Rose B. Simpson (b. 1983), a mixed-media artist from Santa Clara Pueblo, New Mexico, is from a long lineage of women working in ceramics in her tribe, dating back hundreds of years. Her signature figures draw heavily on her ancestral Kha'po Owingeh (Santa Clara Pueblo) tribe's centuries-long ceramic tradition while also integrating modern methods, materials, and processes to express bold interventions in colonial legacies of dependency, erasure, and assimilation. Published on the occasion of a large-scale commission for the Cleveland Museum of Art, this richly illustrated volume features essays that contextualize Simpson's work in terms of the history of art, Indigenous feminisms, and Native American art in general. It also includes a moderated conversation with the artist that elucidates Simpson's conceptual framework and practice. Distributed for The Cleveland Museum of Art Exhibition Schedule: The Cleveland Museum of Art (July 14, 2024-April 13, 2025)
Rowan Bain (Author)
Tulips and Peacocks: William Morris and Art from the Islamic World
8,An introduction to William Morris's personal collection of artworks from the Islamic world and how they came to influence his pattern-making One of the principal founders of the Arts and Crafts movement, William Morris was responsible for hundreds of patterns for wallpapers, fabrics, tapestries, and carpets that are iconic of the late nineteenth century and continue to resonate today. It is now widely acknowledged that his artistic production was stimulated by his deep familiarity with embroideries, woven velvets, silks, carpets, and metalwork from Iran, Syria, and Turkey, which he collected throughout his lifetime. Ranging from popular nineteenth-century tourist merchandise to rare artefacts of historical significance, Morris's collection is a testament to the interconnectedness of global artistic traditions and the enduring importance of recognising the contributions of various cultures to the evolution of his design and craftsmanship. This highly illustrated publication offers diverse perspectives in contextualising Morris's role within contemporary debates around colonial collecting, Islam's representation in the museum context, and issues of cultural appropriation from ...
Heather Campbell Coyle (Author)
3,A gorgeous look at popular illustrators of the Jazz Age and their influential role in the dynamic culture of the 1920s and '30s The 1920s in the United States was characterized by economic prosperity and dramatic social change. Known as the Jazz Age, it was a time when Black music, art, and literature became a powerful cultural force. Shifting roles for women and trends in youth culture coalesced in the figure of the flapper, causing a moral panic chronicled in the expanding popular press. Exploring how the art of popular illustration helped shape this new consciousness and impacted publishing, politics, and daily life, this volume features works by artists such as Aaron Douglas, Nell Brinkley, John Held Jr., and Lo?s Mailou Jones. Their striking images illustrated the New Yorker, Vanity Fair, The Crisis, Liberty, and the Saturday Evening Post, as well as newspapers, novels, and books for children. Essays foreground the contributions of women and Black artists; draw parallels between music, fashion, and the aesthetics of popular illustration; discuss the impact of the Harlem Renaissance and the national growth of the Black press; highlight the legacy of illustrator Howard Pyle ...