What Is Illustration?

Sarah A. Meyer, John T. Drew

Color Management: A Comprehensive Guide for Graphic Designers [With CDROM]

New in Paperback! "Color Management" shows how to implement color as a practical form of problem solving. It is a consolidated resource, arming designers with an understanding of how to communicate with and manage color in all its aspects and applications; subtractive and additive; pigment, CMYK and RGB; 2-D and 3-D; still and motion. Sensitivity of pigments to light and air and the stability of inks are also detailed, as is the human factor, through issues of color legibility and the physical and psychological effects of color. In its depth and breadth, it is a unique body of information.

Rowan Bain (Author)

Tulips and Peacocks: William Morris and Art from the Islamic World

8,An introduction to William Morris's personal collection of artworks from the Islamic world and how they came to influence his pattern-making One of the principal founders of the Arts and Crafts movement, William Morris was responsible for hundreds of patterns for wallpapers, fabrics, tapestries, and carpets that are iconic of the late nineteenth century and continue to resonate today. It is now widely acknowledged that his artistic production was stimulated by his deep familiarity with embroideries, woven velvets, silks, carpets, and metalwork from Iran, Syria, and Turkey, which he collected throughout his lifetime. Ranging from popular nineteenth-century tourist merchandise to rare artefacts of historical significance, Morris's collection is a testament to the interconnectedness of global artistic traditions and the enduring importance of recognising the contributions of various cultures to the evolution of his design and craftsmanship. This highly illustrated publication offers diverse perspectives in contextualising Morris's role within contemporary debates around colonial collecting, Islam's representation in the museum context, and issues of cultural appropriation from ...

Eswaran Subrahmanian (Author)

We Are Not Users: Dialogues, Diversity, and Design