Writing in Restaurants

Davy Depelchin (Author)

Ensor & Brussels

While Belgian artist James Ensor (1860-1949) is forever associated with his seaside hometown of O

Luisa Attardi (Author)

Jacopo Bassano: Renaissance Painter of Venetian Country Life

0,This publication presents a new perspective on Jacopo Bassano (c. 1515-1592) and the remarkable success of his workshop. Bassano, although widely appreciated in his lifetime, was later overshadowed by the immense fame of the Venetian masters Titian, Tintoretto, and Veronese. Located outside the artistic center of Venice, Jacopo Bassano and his sons were able to produce masterpieces of outstanding quality. They achieved widespread popularity in a variety of genres including biblical-pastoral paintings, portraits, and altarpieces. The purpose of this book is to present a fresh insight into the innovative, artistic practices of Jacopo Bassano and his workshop. The volume consists of insightful essays by specialists on Jacopo Bassano, including Luisa Attardi, Alessandro Ballarin, Claudia Caramanna, and Kirsi Eskelinen. Special attention is given to Jacopo Bassano's career in his native town Bassano and his strategies for expanding the activities of his workshop in Venice. Furthermore, the articles highlight his relationship to nature and the Venetian countryside and his pioneering work in depicting the changing light during different times of the day. Through interdisciplinary ...

Nadiah Rivera Fellah (Author)

Rose B. Simpson: Strata

0, A new and exciting voice in contemporary art that enriches the wider discourse on Native women artists Rose B. Simpson (b. 1983), a mixed-media artist from Santa Clara Pueblo, New Mexico, is from a long lineage of women working in ceramics in her tribe, dating back hundreds of years. Her signature figures draw heavily on her ancestral Kha'po Owingeh (Santa Clara Pueblo) tribe's centuries-long ceramic tradition while also integrating modern methods, materials, and processes to express bold interventions in colonial legacies of dependency, erasure, and assimilation. Published on the occasion of a large-scale commission for the Cleveland Museum of Art, this richly illustrated volume features essays that contextualize Simpson's work in terms of the history of art, Indigenous feminisms, and Native American art in general. It also includes a moderated conversation with the artist that elucidates Simpson's conceptual framework and practice. Distributed for The Cleveland Museum of Art Exhibition Schedule: The Cleveland Museum of Art (July 14, 2024-April 13, 2025)