Working Together in Theatre: Collaboration and Leadership

Yoshi Oida, Lorna Marshall

The Invisible Actor

Yoshi Oida is completely unique. A Japanese actor and director who has worked mainly in the West as a member of Peter Brook's theatre company in Paris, he blends the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. In this practical and captivating study of the actor's art written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides a running commentary on Yoshi Oida's work and methods which help you understand the achievement of this singular theatrical artist.

Steven Louis Shelley

A Practical Guide to Stage Lighting

Now fully updated, "A Practical Guide to Stage Lighting" has handy step-by-step illustrations of the technical tools and methods used for lighting design along with real-life examples showing why some techniques succeed while others fail.

Uta Hagen

Respect for Acting

"This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she teaches, and an explanation of the means to the end. For those unable to avail themselves of her personal tutelage, her book is the best substitute." --Publishers Weekly "Uta Hagen's Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. crafts-woman. An illuminating discussion of the standards and techniques of enlightened stage acting." --Brooks Atkinson "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation." --Library Journal "Respect for Acting is a simple, lucid and sympathetic statement of actors' problems in the theatre and basic tenets for their training wrought from the personal ...